{"id":2200,"date":"2024-10-21T18:19:08","date_gmt":"2024-10-21T21:19:08","guid":{"rendered":"https:\/\/www.usal.edu.ar\/lenguas\/?p=2200"},"modified":"2024-10-21T19:43:52","modified_gmt":"2024-10-21T22:43:52","slug":"resumenes-abstracts","status":"publish","type":"post","link":"https:\/\/www.usal.edu.ar\/lenguas\/resumenes-abstracts\/","title":{"rendered":"Res\u00famenes \/ Abstracts"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"834\" height=\"248\" src=\"https:\/\/www.usal.edu.ar\/lenguas\/wp-content\/uploads\/sites\/14\/2024\/10\/SimposioEstudiosIrlandeses-2.jpg\" alt=\"\" class=\"wp-image-2241\" style=\"width:400px;height:auto\" srcset=\"https:\/\/www.usal.edu.ar\/lenguas\/wp-content\/uploads\/sites\/14\/2024\/10\/SimposioEstudiosIrlandeses-2.jpg 834w, https:\/\/www.usal.edu.ar\/lenguas\/wp-content\/uploads\/sites\/14\/2024\/10\/SimposioEstudiosIrlandeses-2-300x89.jpg 300w, https:\/\/www.usal.edu.ar\/lenguas\/wp-content\/uploads\/sites\/14\/2024\/10\/SimposioEstudiosIrlandeses-2-768x228.jpg 768w\" sizes=\"auto, (max-width: 834px) 100vw, 834px\" \/><\/figure>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">RES\u00daMENES \/ ABSTRACTS<\/h5>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\"><strong>SESIONES DE PANELES \/ <\/strong><strong><em>PANEL SESSIONS<\/em><\/strong><\/h5>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JUEVES 24 DE OCTUBRE<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"#panel1\">PANEL 1: Literatura y cine irland\u00e9s: Educaci\u00f3n, memoria e instituciones \/ <em>PANEL 1: Irish literature and film: education, memory and institutions<\/em><\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#panel2\">PANEL 2: Miradas sobre Irlanda: derecho celta, tecnolog\u00eda y pol\u00edtica internacional \/ <em>PANEL 2: Perspectives on Ireland: Celtic law, technology and international politics<\/em><\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#panel3\">PANEL 3: Migraci\u00f3n y construcci\u00f3n del nacionalismo \/ <em>PANEL 3: Migration and construction of nationalism<\/em><\/a><\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>VIERNES 25 DE OCTUBRE<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"#panel4\">PANEL 4: Novela policial, lengua, tradici\u00f3n y espacialidad \/ <em>PANEL 4: Police novel, language, tradition and spatiality<\/em><\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#panel5\">PANEL 5: Prensa, cartas y experiencias de los irlandeses en la Argentina \/ <em>PANEL 5: Press, letters and experiences of the Irish in Argentina<\/em><\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"#panel6\">PANEL 6: Espacios, memoria y literatura \/ <em>PANEL 6: Spaces, memory and literature<\/em><\/a><\/strong><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JUEVES 24 DE OCTUBRE: 14.00 A 15.45<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\" id=\"panel1\"><strong>PANEL 1: Literatura y cine irland\u00e9s: Educaci\u00f3n, memoria e instituciones \/ <\/strong><strong><em>PANEL 1: Irish literature and film: education, memory and institutions<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ecos de <\/strong><strong><em>fosterage<\/em><\/strong><strong> en la poes\u00eda de Seamus Heaney&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cuello, M\u00f3nica<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: <em>fosterage<\/em>, Irlanda, poes\u00eda, Heaney.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El cuidado de la ni\u00f1ez es una tarea que exige dedicaci\u00f3n y compromiso. Esta tarea es llevada a cabo por la familia biol\u00f3gica de un menor o tambi\u00e9n, en algunos casos, puede estar a cargo de una familia sustituta. En la Irlanda medieval la crianza de un ni\u00f1o por parte de una familia sustituta se conoc\u00eda como&nbsp; <em>fosterage<\/em> y, de muchas maneras, esta preocupaci\u00f3n por el cuidado de la ni\u00f1ez ha continuado hasta nuestros d\u00edas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El siguiente trabajo tiene dos objetivos principales, por un lado, definir y caracterizar esta instituci\u00f3n desde un punto de vista hist\u00f3rico comenzando por sus or\u00edgenes en la edad de oro irlandesa; por el otro, estudiar c\u00f3mo esta pr\u00e1ctica se refleja en un poema del Premio Nobel de Literatura de 1995, Seamus Heaney. Para llevar a cabo la tarea de investigaci\u00f3n hist\u00f3rica se utilizar\u00e1n los textos: <em>The Brehon Laws<\/em> (1894) de Laurence Ginnell y <em>Fosterage in Medieval Ireland: an Emotional History<\/em> (2020) de Thomas O`Donnell. Con estas herramientas te\u00f3ricas se abordar\u00e1 el an\u00e1lisis de la secci\u00f3n cinco, <em>\u00abFosterage\u00bb<\/em>, del poema narrativo <em>\u00abSinging School\u00bb<\/em>. Este texto est\u00e1 dividido en seis secciones y forma parte del volumen <em>North <\/em>(1975). El t\u00edtulo de la secci\u00f3n cinco del poema, <em>\u00abFosterage\u00bb<\/em>, establece una relaci\u00f3n con la instituci\u00f3n antes mencionada. El t\u00edtulo general del poema, \u00ab<em>Singing School<\/em>\u00bb, alude a una frase de los versos \u00ab<em>Nor is there singing school but studying\/ Monuments of its own magnificence<\/em>\u00bb de otro poema, \u00ab<em>Sailing to Byzantium<\/em>\u00bb (1927), de William Butler Yeats. En el contexto de esta obra po\u00e9tica, estos versos se\u00f1alan el camino de crecimiento que debe seguir toda persona a lo largo de su vida. En este trabajo se&nbsp; analizar\u00e1n frases seleccionadas de los versos de la secci\u00f3n cinco para comprender c\u00f3mo esta obra de la literatura irlandesa contempor\u00e1nea muestra im\u00e1genes que aluden a la antigua pr\u00e1ctica de <em>fosterage<\/em>, vigente de diversas maneras en la Irlanda actual.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Fosterage Echoes in Seamus Heaney\u2019s Poetry<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cuello, M\u00f3nica<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: fosterage, Ireland, poetry, Heaney.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Childcare is a task that requires dedication and commitment. This task is carried out by a child&#8217;s biological family or, in some cases, may also be carried out by a foster family. In medieval Ireland, the raising of a child by a substitute family was known as fosterage and, in many ways, this concern for the care of children has continued to the present day.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The following paper has two main objectives, on the one hand, to define and characterize this institution from a historical point of view starting with its origins in the Irish Golden Age; on the other hand, to study how this practice is reflected in a poem by the 1995 Nobel Prize winner for Literature, Seamus Heaney. The texts <\/em>The Brehon Laws<em> (1894) by Laurence Ginnell and <\/em>Fosterage in Medieval Ireland: an Emotional History<em> (2020) by Thomas O`Donnell will be used to carry out the historical research task. With these theoretical tools, the analysis of section five, \u201cFosterage\u201d, of the narrative poem \u201cSinging School\u201d will be approached. This text is divided into six sections and is part of the volume <\/em>North <em>(1975). The title of section five of the poem, \u201cFosterage,\u201d establishes a relationship to the institution mentioned above. The overall title of the poem, \u201cSinging School,\u201d alludes to a phrase from the lines \u201cNor is there singing school but studying\/ Monuments of its own magnificence\u201d from another poem, \u201cSailing to Byzantium\u201d (1927), by William Butler Yeats. In the context of this poetic work, these lines point to the path of growth that every person must follow throughout his or her life. This paper will analyze selected phrases from the verses in section five to understand how this work of contemporary Irish literature depicts images that allude to the ancient practice of fosterage, current in various forms in Ireland today.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Los ecos del pasado celta en <\/strong><strong><em>The Quiet Girl<\/em><\/strong><strong>, la construcci\u00f3n de una naci\u00f3n a trav\u00e9s de la narrativa f\u00edlmica&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Piazza, Mar\u00eda Andrea<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: tradici\u00f3n celta, <em>The Quiet Girl<\/em>, an\u00e1lisis cr\u00edtico, <em>foster<\/em>, cine irland\u00e9s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En el cine proveniente de Irlanda hay m\u00faltiples referencias al legado celta que ha conformado gran parte del car\u00e1cter irland\u00e9s, desde t\u00edtulos como <em>Bailando en Lughnasa <\/em>hasta la actualidad con <em>The Banshees of Innisherin<\/em>. Estos ejemplos, sin embargo, no son los \u00fanicos films referentes a la cultura celta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En esta presentaci\u00f3n se analizar\u00e1 <em>The Quiet Girl<\/em> (2022), la pel\u00edcula dirigida por Colm Bairead y basada en el cuento <em>Foster<\/em> (2010) de Claire Keegan, dentro del marco de la construcci\u00f3n de una naci\u00f3n a trav\u00e9s de sus narrativas, eligi\u00e9ndola por ser la primera pel\u00edcula hablada enteramente en ga\u00e9lico y la primera nominada al Oscar a mejor pel\u00edcula extranjera representando a Irlanda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El an\u00e1lisis pondr\u00e1 el foco en las representaciones de la tradici\u00f3n celta que atraviesan la trama en su adaptaci\u00f3n f\u00edlmica como testimonio de la conformaci\u00f3n cultural de una identidad irlandesa, dado que narra hechos cotidianos de la Irlanda rural.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En dicho film se manifiestan aspectos de la cultura celta que a\u00fan persisten en las costumbres y en el imaginario colectivo del pueblo irland\u00e9s. Dichos aspectos se pueden observar en las expresiones del cine de hoy que se inspira en Irlanda. De alg\u00fan modo, una naci\u00f3n se sigue afirmando a trav\u00e9s de films que rescatan sus ra\u00edces.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Echoes of the Celtic Past in <\/em><\/strong><strong>The Quiet Girl<\/strong><strong><em>, the Construction of a Nation through Filmic Narrative&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Piazza, Mar\u00eda Andrea<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Celtic tradition, <\/em>The Quiet Girl<em>, critical analysis, foster, Irish cinema.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In Irish cinema, there are multiple references to the Celtic legacy that has shaped much of the Irish character, from titles such as Dancing at Lughnasa to present-day <\/em>The Banshees of Innisherin<em>. These examples, however, are not the only films referring to Celtic culture.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This presentation will analyze <\/em>The Quiet Girl<em> (2022), the film directed by Colm Bairead and based on the short story <\/em>Foster<em> (2010) by Claire Keegan, within the framework of nation-building through its narratives. It was chosen for being the first film entirely spoken in Gaelic and the first Oscar nominee for Best Foreign Film representing Ireland.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The analysis will focus on the representations of Celtic tradition that permeates the plot in its film adaptation as a testimony of the cultural formation of an Irish identity, given that it narrates everyday life in rural Ireland.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The film shows aspects of Celtic culture that still persist in the customs and collective imagination of the Irish people. These aspects can be seen in the expressions of today&#8217;s Irish-inspired cinema. In a way, a nation continues to assert itself through films that rescue its roots.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Formas de la soledad y el encuentro en <\/strong><strong><em>Foster <\/em><\/strong><strong>(2010) de Claire Keegan&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mena, M\u00e1ximo Hern\u00e1n<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Claire Keegan, novela, experiencia, emociones, memoria.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La autora irlandesa Claire Keegan (1968) ha publicado los libros de relatos <em>Antarctica <\/em>(1999) y <em>Walk the Blue Fields <\/em>(2007), anteriores a la publicaci\u00f3n del cuento largo\/novela corta <em>Foster <\/em>(2010), texto que ser\u00e1 considerado como eje de este trabajo. Si James Wood nos plantea que el texto literario nos muestra c\u00f3mo leer a su narrador (2017), interesa aqu\u00ed analizar la construcci\u00f3n de una ni\u00f1a narradora que percibe los contrastes entre luces y sombras y, con gran lucidez, los detalles de lo real, en sinton\u00eda, se podr\u00eda afirmar, con la est\u00e9tica de Vladimir Nabokov en <em>Laughter in the Dark<\/em> (1933) o <em>Transparent Things <\/em>(1972).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Se trabajar\u00e1n tambi\u00e9n ciertos ejes ya abordados por Keegan en sus relatos, como, por ejemplo, los l\u00edmites del lenguaje y la potencia del silencio, aquellas cercan\u00edas y distancias que trazan los lazos familiares, y la importancia de la mirada y la memoria para recuperar y reconstruir la experiencia. En este sentido, ser\u00e1 importante, el abordaje de la representaci\u00f3n de las emociones de los protagonistas, a partir de su fuerte influencia sobre las interacciones sociales y su capacidad para facilitar la comunicaci\u00f3n interpersonal y modular su habilidad para construir recuerdos (Luminet &amp; Cordonnier, 2024).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asimismo, se trazar\u00e1n algunas l\u00edneas de continuidad y cambio entre el cuento original publicado en The New Yorker, el libro posterior y el texto cinematogr\u00e1fico <em>The Quiet Girl <\/em>(2022) dirigido por Colm Bair\u00e9ad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Forms of Loneliness and Encounter in Claire Keegan&#8217;s <\/em><\/strong><strong>Foster<\/strong><strong><em> (2010)&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mena, M\u00e1ximo Hern\u00e1n<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Claire Keegan, novel, experience, emotions, memory.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Irish author Claire Keegan (1968) has published the short-story collections<\/em> Antarctica<em> (1999) and <\/em>Walk the Blue Fields<em> (2007), preceding the publication of the novella <\/em>Foster<em> (2010), which will be considered the focus of this work. If James Wood states that the literary text shows us how to read its narrator (2017), it is of interest here to analyze the construction of a young female narrator who perceives the contrasts between light and shadow and, with great clarity, the details of reality. This resonates, one could argue, with the aesthetics of Vladimir Nabokov in <\/em>Laughter in the Dark<em> (1933) or <\/em>Transparent Things<em> (1972).<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Certain themes already addressed by Keegan in her stories will also be explored, such as the limits of language and the power of silence,&nbsp; the closeness and distances that define familial ties, and the importance of gaze and memory to recover and reconstruct experience. In this regard, the representation of the protagonists&#8217; emotions will be important, given their strong influence on social interactions and their ability to facilitate interpersonal communication and shape their capacity to construct memories (Luminet &amp; Cordonnier, 2024).<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Some lines of continuity and change will also be drawn between the original story published in <\/em>The New Yorker<em>, the subsequent book and the film <\/em>The Quiet Girl<em> (2022), directed by Colm Bair\u00e9ad.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Small Things Like These<\/strong><strong><em> (2020) as an Emergent Element in Irish Literature that Helps to Reconfigure Official Historical Discourse&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ongarini, Lucia<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords:<\/em> Small Things Like These<em>, Magdalene Laundries, hegemony, silence, emergent.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The general aim of this presentation is to show how literature can cast light on silenced periods of history which used to be excluded by the official historical discourse. More specifically, we will rely on <\/em>Small Things Like These <em>(2020) as an example of recent Irish literature that helps to awaken a shameful past about the Magdalene Laundries. These were Catholic institutions devoted to \u201cfallen\u201d women or prostitutes who had to do the washing in order to purge themselves of their sins, undergoing labour exploitation and both physical and psychological violence. Some of the laundries were also mother and baby homes, inhabited by unmarried pregnant mothers whose babies, in many cases, were to be illegally adopted once born or to have an early death. It was in 1993, after the discovery of unmarked graves and nameless corpses that a formal enquiry started, culminating in the Irish state\u2019s apology in 2013. As a consequence, not only was the official historical discourse filtered by unheard-of, silenced testimonies and practices but also literature gave voice to victims and dared represent their experiences.&nbsp;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Firstly, we will provide a historical overview of the Magdalene Laundries and the socio-historical conditions which \u201chelped erode the conservative hetero-patriarchal ethos of Catholic Ireland\u201d (Caneda-Cabrera and Carregal-Romero, 2023, p.13) and thus made possible the enunciation of a hidden past; secondly, we will contrast the oblique treatment given to the Magdalene Laundries in the short story \u201cClay\u201d from <\/em>Dubliners<em> (1914) to the way <\/em>Small Things Like These<em> explicitly reveals the practices of these institutions yet still suggests complicit silence and conformity on the part of some characters. Finally, we will characterise this literary work as an emergent element (Williams, 1977) in Irish literature that voices new meanings, values, relations and practices that challenge dominant culture and official, hegemonic historical discourse.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Cosas peque\u00f1as como esas<\/em><\/strong><strong> (2020) como elemento emergente en la literatura irlandesa que ayuda a reconfigurar el discurso hist\u00f3rico oficial&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ongarini, Lucia<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: <em>Cosas peque\u00f1as como esas<\/em>, Lavander\u00edas de las Magdalenas, hegemon\u00eda, silencio, emergente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El objetivo general de esta presentaci\u00f3n es mostrar c\u00f3mo la literatura puede arrojar luz sobre periodos silenciados de la historia que sol\u00edan ser excluidos por el discurso hist\u00f3rico oficial. M\u00e1s concretamente, nos basaremos en <em>Cosas peque\u00f1as como esas<\/em> (2020) como ejemplo de literatura irlandesa reciente que ayuda a despertar un pasado vergonzoso sobre las Lavander\u00edas de las Magdalenas. Se trataba de instituciones cat\u00f3licas dedicadas a mujeres \u00abca\u00eddas\u00bb o prostitutas que deb\u00edan lavar para purgarse de sus pecados, y sufr\u00edan explotaci\u00f3n laboral y violencia tanto f\u00edsica como psicol\u00f3gica. Algunas de las lavander\u00edas eran tambi\u00e9n hogares materno-infantiles, habitados por madres solteras embarazadas cuyos beb\u00e9s, en muchos casos, eran adoptados ilegalmente una vez nacidos o ten\u00edan una muerte prematura. Fue en 1993, tras el descubrimiento de tumbas sin nombre y cad\u00e1veres sin nombre, cuando se inici\u00f3 una investigaci\u00f3n formal que culmin\u00f3 con el pedido de disculpas del Estado irland\u00e9s en 2013. Como consecuencia, no solo el discurso hist\u00f3rico oficial se vio filtrado por testimonios y pr\u00e1cticas inauditas y silenciadas, sino que tambi\u00e9n la literatura dio voz a las v\u00edctimas y se atrevi\u00f3 a representar sus experiencias.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En primer lugar, ofreceremos una visi\u00f3n hist\u00f3rica de las Lavander\u00edas de las Magdalenas y de las condiciones sociohist\u00f3ricas que \u00abayudaron a erosionar el <em>ethos <\/em>heteropatriarcal conservador de la Irlanda cat\u00f3lica\u00bb (Caneda-Cabrera y Carregal-Romero, 2023, p.13). En segundo lugar, contrastaremos el tratamiento oblicuo que se da a las Lavander\u00edas de las Magdalenas en el relato \u00ab<em>Clay<\/em>\u00bb de <em>Dublineses <\/em>(1914) con la forma en que <em>Cosas peque\u00f1as como esas <\/em>revela expl\u00edcitamente las pr\u00e1cticas de estas instituciones, aunque sigue sugiriendo el silencio c\u00f3mplice y la conformidad por parte de algunos personajes. Por \u00faltimo, caracterizaremos esta obra literaria como un elemento emergente (Williams, 1977) en la literatura irlandesa que da voz a nuevos significados, valores, relaciones y pr\u00e1cticas que desaf\u00edan la cultura dominante y el discurso hist\u00f3rico oficial y hegem\u00f3nico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JUEVES 24 DE OCTUBRE: 14.00 A 15.45<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\" id=\"panel2\"><strong>PANEL 2: Miradas sobre Irlanda: derecho celta, tecnolog\u00eda y pol\u00edtica internacional \/ <\/strong><strong><em>PANEL 2: Perspectives on Ireland: Celtic law, technology and international politics<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Las Leyes Brehon: recorrido por la sabidur\u00eda legal de los celtas&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ramos, Mar\u00eda Sol<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Leyes Brehon, celtas, sociedad celta, orden legal, el vanguardismo celta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En el estudio e investigaci\u00f3n del presente tema, me sumerg\u00ed en el manejo, desarrollo e historia que implic\u00f3 la aplicaci\u00f3n de las Leyes Brehon en el cotidiano de la vida de los celtas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Como uno de los tantos datos curiosos que llaman poderosamente la atenci\u00f3n, nos encontramos con que inicialmente no se pod\u00edan estudiar o leer los preceptos legales que conformaban el cuerpo de tem\u00e1ticas reguladas, ya que fueron transmitidas de una generaci\u00f3n a otra por muchos siglos en forma oral.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Posteriormente, con el arribo del cristianismo en el siglo V y de la mano de uno de los codificadores m\u00e1s importantes para los irlandeses, que llev\u00f3 a las mismas a su primera escritura, fue ni m\u00e1s ni menos que el Santo Patr\u00f3n de Irlanda San Patricio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las Leyes Brehon eran administradas por los Brehon, que no cumpl\u00edan exactamente el papel de un t\u00edpico juez moderno como lo conocemos hoy en d\u00eda, sino que m\u00e1s bien su rol era m\u00e1s de \u00e1rbitro, teniendo como tarea preservar e interpretar la ley.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Con respecto a la forma de organizaci\u00f3n social de la primitiva Irlanda, nos encontramos con que la sociedad se divid\u00eda en diferentes <em>t\u00faath<\/em>, es decir, reinos, en el que dentro de cada uno, se aplicaban las leyes brehon para ordenar y organizar la vida en sociedad. Dentro de cada reino, se encontraban presentes los diferentes rangos jer\u00e1rquicos basado en un sistema de clanes, tribal, rural y familiar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por otro lado, mi intenci\u00f3n fue puntualizar dentro del gran espectro de tem\u00e1ticas que se desarrollaron en las Leyes Brehon, sobre tres t\u00f3picos en particular: el Derecho Civil y Penal; el Derecho de las Mujeres y el Derecho Ambiental.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En rasgos generales, se puede mencionar que, en el espectro del derecho civil y penal, no exist\u00eda distinci\u00f3n entre ambas \u00f3rbitas y que para castigar cualquier trasgresi\u00f3n se hac\u00eda mediante una multa denominada \u00ab<em>erics<\/em>\u00bb. Por otro lado, las mujeres gozaban de gran gama de derechos que las proteg\u00edan y que les otorgaban libertad de decisi\u00f3n. Con respecto al cuidado del ambiente, llama la atenci\u00f3n la regulaci\u00f3n que exist\u00eda en cuanto a la protecci\u00f3n de la flora, la fauna, los \u00e1rboles, los animales y el recurso h\u00eddrico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En cuanto a datos biogr\u00e1ficos me bas\u00e9 en diferentes fuentes casi en su totalidad en ingl\u00e9s, tanto en tesis de catedr\u00e1ticos como en la p\u00e1gina de la Corte Irlandesa hasta mismo del libro de Peter Tremayne y otros.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The Brehon Laws: a journey through the legal wisdom of the Celts<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ramos, Mar\u00eda Sol<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Keywords: Brehon Laws, Celts, Celtic society, legal order, the Celtic avant-gardism.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Abstract:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In the study and research of the present topic, I immersed myself into the management, development and history involved in the application of the Brehon Laws in the daily life of the Celts.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>As one of the many curious facts that stands out, we find that initially it was not possible to study or read the legal concepts that made up the body of regulated subjects, as they were passed down orally from generation to generation for many centuries.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Later, with the arrival of Christianity in the 5th century and the hand of one of the most important codifiers for the Irish, who took them to their first writing, was none other than the Patron Saint of Ireland, St. Patrick.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Brehon Laws were administered by the Brehon, who did not exactly fulfill the role of a typical modern judge as we know it today, but rather his role was more of a referee, having the task of preserving and interpreting the law.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Regarding the social organization of primitive Ireland, we found that society was divided into different t\u00faath, that is, kingdoms, within which the Brehon laws were applied to order and organize life in society. Within each kingdom, various hierarchical ranks existed based on a system of clans, tribes, rural communities, and family structures.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>On the other hand, my intention was to point out, within the broad spectrum of topics that were developed in the Brehon Laws, three topics in particular: Civil and Criminal Law; Women&#8217;s Law and Environmental Law.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In general terms, it can be mentioned that, in the spectrum of civil and criminal law, there was no distinction between the two realms, and any transgression was punished by means of a fine called \u201cerics\u201d. Additionally, women enjoyed a wide range of rights that protected them and granted them freedom of decision. Regarding environmental care, the regulations concerning the protection of flora, fauna, trees, animals and water resources are particularly noteworthy.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>As for biographical data, I relied on different sources, mostly in English, including academic theses, the website of the Irish Court, and even works by Peter Tremayne and others.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El auge tecnol\u00f3gico y su influencia en las relaciones diasp\u00f3ricas con Am\u00e9rica Latina<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dimant, Mauricio<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: revoluci\u00f3n tecnol\u00f3gica, modelos de negocio disruptivos, relaciones internacionales, identidad diasp\u00f3rica, relaciones diasp\u00f3ricas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El siglo XXI ha sido testigo de una revoluci\u00f3n en el \u00e1mbito empresarial tecnol\u00f3gico global, marcado por la irrupci\u00f3n de compa\u00f1\u00edas innovadoras y la adopci\u00f3n de modelos de negocio disruptivos. Este fen\u00f3meno ha dado lugar al surgimiento de nuevas potencias tecnol\u00f3gicas que se destacan en el escenario internacional. Pa\u00edses como Irlanda, Israel y Corea del Sur, por ejemplo, han transformado sus econom\u00edas, siendo el sector tecnol\u00f3gico un catalizador de este cambio y un s\u00edmbolo de \u00e9xito internacional. Esta transformaci\u00f3n no solo ha modificado la percepci\u00f3n internacional de estos pa\u00edses, sino que tambi\u00e9n ha redefinido sus relaciones exteriores, incluyendo las que mantienen con Am\u00e9rica Latina y las comunidades diasp\u00f3ricas en esta regi\u00f3n. Impulsadas por el dinamismo del sector privado tecnol\u00f3gico, se han creado nuevas estructuras tanto de relaciones internacionales como de identidad diasp\u00f3rica. Los descendientes de irlandeses, por ejemplo, han visto c\u00f3mo su capital simb\u00f3lico se ha revalorizado en sus sociedades, especialmente en el Sur Global. Este proceso permite una reflexi\u00f3n sobre c\u00f3mo a lo largo de la historia el sector privado ha flexibilizado las fronteras tradicionales de la identidad diasp\u00f3rica, mostrando la intrincada relaci\u00f3n entre la pertenencia nacional de los empresarios y su empe\u00f1o por establecer lazos econ\u00f3micos y comerciales. Este art\u00edculo invita a adoptar una perspectiva historiogr\u00e1fica m\u00e1s amplia para entender c\u00f3mo las motivaciones y pr\u00e1cticas del sector privado modelan las identidades y tejen las redes de relaciones diasp\u00f3ricas entre regiones.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The Technological Boom and its Influence on the Diasporic Relations with Latin America<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Dimant, Mauricio<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: technological revolution, disruptive business models, international relations, diasporic identity, diasporic relations.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The 21st century has witnessed a revolution in the global technological business arena, marked by the irruption of innovative companies and the adoption of disruptive business models. This phenomenon has given rise to the emergence of new technological powers that stand out on the international scene. Countries such as Ireland, Israel and South Korea, for example, have transformed their economies, with the technology sector being a catalyst for this change and a symbol of international success. This transformation has not only changed the international perception of these countries, but has also redefined their foreign relations, including those with Latin America and the diasporic communities in this region. Driven by the dynamism of the technological private sector, new structures of both international relations and diasporic identity have been created. Irish descendants, for example, have seen their symbolic capital revalued in their societies, especially in the Global South. This process allows a reflection on how throughout history the private sector has flexed the traditional boundaries of diasporic identity, showing the intricate relationship between businessmen&#8217;s national affiliation and their pursuit of economic and commercial ties. This article invites to adopt a broader historiographical perspective to understand how private sector motivations and practices shape identities and weave the networks of diasporic relations between regions.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>De la revoluci\u00f3n al gobierno. Los desaf\u00edos de gobiernos revolucionarios en Colombia e Irlanda del Norte&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pacheco Guti\u00e9rrez, Luis Fernando<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: pol\u00edtica internacional, Irlanda, Colombia, Sinn Fein, gobiernos de izquierda, post-conflicto.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En febrero pasado el Partido nacionalista Sinn F\u00e9inn lleg\u00f3 por primera vez al poder en Irlanda del Norte, veinticinco a\u00f1os despu\u00e9s de la firma de los Acuerdos de Viernes Santo que pusieron fin al conflicto en la llamada \u00abIsla Esmeralda\u00bb. El ascenso de la nueva primera ministra Michelle O\u2019Neill ha sido visto como un claro avance en la reunificaci\u00f3n irlandesa en contrav\u00eda del unionismo que defiende la uni\u00f3n con la corona brit\u00e1nica.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paralelamente, Colombia vive su primer gobierno de izquierda en los \u00faltimos 80 a\u00f1os. El ascenso de Gustavo Petro, exmilitante de la guerrilla del M-19 al poder en agosto de 2002 coincide con el sexto aniversario tras la firma de los Acuerdos del Teatro Col\u00f3n entre la antigua guerrilla de las FARC y el Estado colombiano. En junio de ese mismo a\u00f1o, la denominada Comisi\u00f3n para el Esclarecimiento de la Verdad entreg\u00f3 tras cuarenta y dos meses de trabajo su Informe Final donde expone las causas estructurales del conflicto colombiano y brinda recomendaciones para la no repetici\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las historias de ambos pa\u00edses parecen distantes en el tiempo y el espacio. Las relaciones diplom\u00e1ticas constantes datan de apenas hace veinticinco a\u00f1os (noviembre de 1999). Sin embargo, ambas est\u00e1n atravesando per\u00edodos cruciales tras la firma de un Acuerdo de Paz, atraviesan cambios pol\u00edticos disruptivos recientes y vuelven a poner sobre la mesa dos temas que han atravesado sus identidades hist\u00f3ricas en las \u00faltimas d\u00e9cadas. En el caso irland\u00e9s el Brexit y el triunfo del Sinn F\u00e9inn en Irlanda del Norte ha vuelto a traer a la opini\u00f3n p\u00fablica el tema de la reunificaci\u00f3n, por lo menos simb\u00f3licamente hablando mientras que la llegada de Gustavo Petro ha llevado a la opini\u00f3n p\u00fablica la discusi\u00f3n sobre la lucha contra las drogas, la profunda desigualdad en Colombia y en Latinoam\u00e9rica en general, as\u00ed como los debates cl\u00e1sicos de la seguridad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El estudio comparado de casos de posconflicto puede generar aprendizajes comunes. Si bien, la historia de los procesos de paz no es lineal y universal y cada naci\u00f3n tiene elementos condicionantes propios de su realidad y carga hist\u00f3rica, las apuestas de paz pueden permitir a otros pa\u00edses tomar decisiones m\u00e1s eficaces que permitan no repetir ciclos de violencia. Estamos convencidos que ambos pa\u00edses pueden ser aprendiz y maestro frente a los nuevos desaf\u00edos que enfrentan.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>From revolution to government. The challenges of revolutionary governments in Colombia and Northern Ireland&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pacheco Guti\u00e9rrez, Luis Fernando<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Key words: international politics, Ireland, Colombia, Sinn Fein, leftist governments, post-conflict.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Last February the nationalist party Sinn F\u00e9inn&nbsp; came to power for the first time in Northern Ireland, twenty-five years after the signing of the Good Friday Agreements that ended the conflict in the so-called \u201cEmerald Isle\u201d. The rise of the new Prime Minister Michelle O&#8217;Neill has been seen as a clear advance in the Irish reunification against the unionism that advocated for union with the British crown.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>At the same time, Colombia is experiencing its first leftist government in the last 80 years. The rise to power of Gustavo Petro, a former member of the M-19 guerrilla group, in August 2002 coincided with the sixth anniversary of the signing of the Teatro Col\u00f3n Agreements between the former FARC guerrilla and the Colombian state. In June of the same year, the <\/em>Comisi\u00f3n para el Esclarecimiento de la Verdad<em> (Commission for the Clarification of the Truth) delivered its Final Report after forty-two months of work, exposing the structural causes of the Colombian conflict and providing recommendations for non-repetition.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The stories of both countries seem distant in time and space. Diplomatic relations date back only twenty-five years (November 1999). However, both are undergoing crucial periods following the signing of a Peace Agreement, experiencing recent disruptive political changes and bringing back to the table two issues that have shaped their historical identities in recent decades. In the Irish case, Brexit and Sinn F\u00e9inn\u2019s victory in Northern Ireland have once again brought the issue of reunification to public attention, at least symbolically, while Gustavo Petro\u2019s arrival has sparked public discussions on the war on drugs, deep inequality in Colombia and Latin America in general, as well as classic debates on security.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The comparative study of post-conflict cases can generate common lessons. Although the history of peace processes is not linear nor universal, and each nation has its own conditioning elements stemming from its reality and historical burden, peace initiatives can enable other countries to make more effective decisions to avoid repeating cycles of violence. We are convinced that both countries can learn from each other in facing the new challenges ahead.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JUEVES 24 DE OCTUBRE: 16.00 A 17.45<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\" id=\"panel3\"><strong>PANEL 3: Migraci\u00f3n y construcci\u00f3n del nacionalismo \/ <\/strong><strong><em>PANEL 3: Migration and construction of nationalism<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The Meaning of Irish and Irishness in the Global Irish Diaspora: Towards an Understanding of the Commonalities and Differences in the Irish Worldwide<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mulligan, William<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Irish identity, diaspora, historical development, host nations, emigration<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>My paper will examine the various meanings of \u201cbeing Irish\u201d in various destination countries in the Irish Diaspora and how these various identities developed over time. I will look at how the meaning of Irish changed in Ireland over time beginning the movement of Irish monks to the continent but with the most emphasis on the period from the plantations to de Valera. What it meant to be \u201cIrish\u201d was not a constant but developed due to the historical events and circumstances. I will also examine the identity, broadly defined, of the various host nations and how that affected the reception Irish emigrants received. While I will use the United States as an example, I will look at several destination nations to develop a full picture. This paper builds on two previous essays, one published the other in press.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El significado de lo irland\u00e9s y de la irlandesidad en la di\u00e1spora irlandesa mundial: hacia una comprensi\u00f3n de las similitudes diferencias de los irlandeses en todo el mundo&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Mulligan, William<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: identidad irlandesa, di\u00e1spora, desarrollo hist\u00f3rico, naciones de acogida, migraci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mi ponencia examinar\u00e1 los diversos significados de \u00abser irland\u00e9s\u00bb en varios pa\u00edses de destino en la di\u00e1spora irlandesa y c\u00f3mo estas diversas identidades se desarrollaron con el tiempo. Analizar\u00e9 c\u00f3mo el significado de irland\u00e9s cambi\u00f3 en Irlanda a lo largo del tiempo, empezando por el traslado de los monjes irlandeses al continente, pero haciendo especial hincapi\u00e9 en el periodo que va desde las plantaciones hasta de Valera. Lo que significaba ser \u00abirland\u00e9s\u00bb no fue una constante, sino que evolucion\u00f3 debido a los acontecimientos y circunstancias hist\u00f3ricas. Tambi\u00e9n examinar\u00e9 la identidad, en sentido amplio, de las distintas naciones de acogida y c\u00f3mo afect\u00f3 la recepci\u00f3n que recibieron los emigrantes irlandeses. Aunque utilizar\u00e9 Estados Unidos como ejemplo, analizar\u00e9 varias naciones de destino para desarrollar una imagen completa. Este art\u00edculo se basa en dos ensayos anteriores, uno publicado y otro en prensa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Lying unwept and unburied: on the role of gravesides in nation-building<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fern\u00e1ndez, Silvana N.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: nation-state, identity, official memory, victims, redress.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In his seminal work Inventing Ireland (1995) Declan Kiberd states that the movement for national independence imagined the Irish people as a historic community. That self-image, which was shaped well ahead of the dawn of modern nationalism and the nation-state, relies on a notion of identity that is rarely straightforward and given. Rather, its construction and&nbsp; evolvement over time involves negotiation and exchange.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Taking our cue from Kiberd\u2019s notion of the need to acknowledge the historicity of the Irish community, we want to engage with an issue which haunts the self-image and self-definition of the collective and the individual: the memory of those lying unwept and unburied. In this connection we will first refer to&nbsp; the use of the graveside by a political and rhetorical tradition which eulogises the revolutionary martyr and then address and elaborate on the graves, which have not yet settled: those of the women and children who were victims of systemic neglect and abuse.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Yacer sin llanto ni sepultura: el papel de las sepulturas en la construcci\u00f3n nacional (Fern\u00e1ndez, Silvana N.)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Estado-naci\u00f3n, identidad, memoria oficial, v\u00edctimas, reparaci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En su obra seminal <em>Inventing Ireland<\/em> (1995) Declan Kiberd afirma que el movimiento por la independencia nacional imagin\u00f3 al pueblo irland\u00e9s como una comunidad hist\u00f3rica. Esta autopercepci\u00f3n, que se forj\u00f3 mucho antes de los albores del nacionalismo moderno y del Estado-naci\u00f3n, se basa en una noci\u00f3n de identidad que rara vez es directa y evidente. Por el contrario, su construcci\u00f3n y evoluci\u00f3n a lo largo del tiempo implica negociaci\u00f3n e intercambio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Inspir\u00e1ndonos en la noci\u00f3n de Kiberd de la necesidad de reconocer la historicidad de la comunidad irlandesa, queremos abordar una cuesti\u00f3n que afecta la autoimagen y la autodefinici\u00f3n del colectivo y del individuo: la memoria de los que yacen sin llanto ni sepultura. En este sentido, primero nos referiremos al uso de la tumba por una tradici\u00f3n pol\u00edtica y ret\u00f3rica que elogia al m\u00e1rtir revolucionario y luego abordaremos y elaboraremos sobre las tumbas que a\u00fan no han sido atendidas: las de las mujeres y los ni\u00f1os que fueron v\u00edctimas de negligencia y abuso sist\u00e9mico.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El proceso migratorio irland\u00e9s en la localidad de Capilla del Se\u00f1or a partir de 1820 y su impacto en el territorio&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guarnochea, Miguel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: migraci\u00f3n, irlandeses, territorio, cultura, Capilla del Se\u00f1or.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El presente trabajo tiene como prop\u00f3sito general fortalecer el conocimiento local de la ciudad de Capilla del Se\u00f1or (Buenos Aires, Argentina) sobre el proceso migratorio irland\u00e9s y los fen\u00f3menos de identidad asociados a \u00e9l a partir del a\u00f1o 1820 hasta la actualidad. Tal proceso se manifiesta en el espacio geogr\u00e1fico dejando una huella a trav\u00e9s de las diferentes materializaciones culturales; como as\u00ed tambi\u00e9n su fuerte influencia en el \u00e1mbito pol\u00edtico, social, econ\u00f3mico y cultural.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En esta primera parte se analizan los puntos religiosos y culturales, y para eso nos centramos en la influencia religiosa ejercida por los capellanes irlandeses desde sus aspectos pastorales y trabajo eclesi\u00e1stico no s\u00f3lo dentro de la comunidad, sino tambi\u00e9n en el resto de la sociedad; como as\u00ed tambi\u00e9n en las materializaciones culturales de identidad que la di\u00e1spora ha dejado como huella en el territorio estudiado.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The Irish Migration Process in Capilla del Se\u00f1or from 1820 Onwards and its Impact on the Territory<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guarnochea, Miguel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: migration, Irish, territory, culture, Capilla del Se\u00f1or.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The purpose of this work is to strengthen the local knowledge of the city of Capilla del Se\u00f1or (Buenos Aires, Argentina) about the Irish migration process and the associated identity phenomena from 1820 to the present.. Such process is manifested in the geographical space, leaving a mark through various cultural expressions, as well as its strong influence in the political, social, economic, and cultural spheres.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In this first part, we analyze religious and cultural points, focusing on the religious influence exerted by Irish chaplains through their pastoral work and ecclesiastical duties, not only within the community but also in the wider society. We also examine the cultural expressions of identity that the diaspora has left as a mark on the studied territory.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The migrant experience through Irish eyes: sketches of 19th century Argentina in the narratives of Marion Mulhall, William Bulfin and private letters collected by Edmundo Murray&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arriaga, Mar\u00eda Isabel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Irish diaspora, immigration, identity, traditions, representations.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Between 1860 and 1930 about 6,000,000 Europeans arrived in Argentina, half of whom established themselves in our country. The arrival of that massive migration wave took place at a very crucial point in the history of Argentina, since it was undergoing a huge process of national organization after the sanction of the 1853 National Constitution. By then, more than a third of the Argentine population was constituted by immigrants, which included the largest Irish diaspora within Latin America. About 40,000 Irish migrants left Mother Ireland by the late 19th century to establish in the Argentine countryside and main industrial cities associated with farming.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Even though at the beginning Irish immigrants formed a rather close knit community with little contact with the locals, both in order to preserve their own culture and separate themselves from criollos and gauchos, they eventually proved to have had a very active social role in Argentina, founding institutions, associations and clubs that still continue today.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Some of those Irish migrants that arrived in our country since the mid-nineteenth century were journalists and writers, which allowed them to register their observations of Argentine geographical space, traditions and local manners, from a European perspective and remarking socio-cultural differences and similarities between the diverse migrant communities and the local population. Besides, many Irish immigrants kept a frequent correspondence with their family and friends left in Ireland that has been carefully preserved by their relatives, which constitute a great source of knowledge on the Irish migrant experience.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The aim of this paper is to explore representations of 19th century multicultural Argentina from the perspective of Irish migrants. It will be achieved through the analysis of Marion Mulhall\u2019s travel book <\/em>Between the Amazon and Andes <em>(1881), private letters and memoirs from Edmundo.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Murray\u2019s 2004 collection of private letters and memoirs <\/em>Becoming Irland\u00e9s &#8211; Private Narratives of the Irish Emigration to Argentina<em> (1844-1912) and stories from William Bulfin\u2019s T<\/em>ales of the Pampas<em> (1997). These narratives offer rich insights of their migrant experience in Argentina and illustrate the initial cultural clash and the slow process of adaptation to the local manners, which evolved into new and richer cultural patterns for both local and foreign subjects.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La experiencia migratoria a trav\u00e9s de ojos irlandeses: esbozos de la Argentina del siglo XIX en los relatos de Marion Mulhall, William Bulfin y las cartas privadas recopiladas por Edmundo Murray&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Arriaga, Mar\u00eda Isabel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Di\u00e1spora irlandesa; inmigraci\u00f3n; identidad; tradiciones; representaciones.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Entre 1860 y 1930 llegaron a la Argentina alrededor de 6.000.000 de europeos, la mitad de los cuales se establecieron en nuestro pa\u00eds. La llegada de esa ola migratoria masiva ocurri\u00f3 en un momento crucial en la historia de Argentina, ya que estaba atravesando un gran proceso de organizaci\u00f3n nacional tras la sanci\u00f3n de la Constituci\u00f3n Nacional de 1853. Para entonces, m\u00e1s de un tercio de la poblaci\u00f3n argentina estaba constituida por inmigrantes, entre los que se encontraba la mayor di\u00e1spora irlandesa en Am\u00e9rica Latina. Alrededor de 40,000 migrantes irlandeses abandonaron la Madre Irlanda a fines del siglo XIX para establecerse en el campo argentino y en las principales ciudades industriales asociadas con la agricultura.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aunque al principio los inmigrantes irlandeses formaron una comunidad bastante cerrada y con poco contacto con los habitantes locales, tanto para preservar su propia cultura como para separarse de criollos y gauchos, con el tiempo demostraron haber tenido un papel social muy activo en Argentina, fundando instituciones, asociaciones y clubes que a\u00fan perduran.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Algunos de esos inmigrantes irlandeses que llegaron a nuestro pa\u00eds desde mediados del siglo XIX fueron periodistas y escritores, lo que les permiti\u00f3 registrar sus observaciones del espacio geogr\u00e1fico argentino, las tradiciones y las costumbres locales, desde una perspectiva europea y destacando las diferencias y similitudes socioculturales entre las diversas comunidades de inmigrantes y la poblaci\u00f3n local. Adem\u00e1s, muchos inmigrantes irlandeses mantuvieron una frecuente correspondencia con sus familiares y amigos que hab\u00edan quedado en Irlanda que ha sido cuidadosamente conservada por sus parientes, lo que constituye una gran fuente de conocimiento sobre la experiencia migratoria irlandesa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El objetivo de este trabajo es explorar las representaciones de la Argentina multicultural del siglo XIX desde la perspectiva de los migrantes irlandeses. Se lograr\u00e1 a trav\u00e9s del an\u00e1lisis del libro de viajes de Marion Mulhall B<em>etween the Amazon and Andes <\/em>[Entre el Amazonas y los Andes] (1881), cartas privadas y memorias de Edmundo Murray <em>Devenir Irland\u00e9s: Narrativas \u00edntimas de la emigraci\u00f3n irlandesa a la Argentina, 1844-1912<\/em>, de 2004 y relatos de William Bulfin, <em>Cuentos de la Pampa <\/em>(1997).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Estas narrativas ofrecen valiosas perspectivas sobre su experiencia migrante en Argentina e ilustran el choque cultural inicial y el lento proceso de adaptaci\u00f3n a las costumbres locales, que evolucionaron hacia nuevos y m\u00e1s ricos patrones culturales tanto para los sujetos locales como para los extranjeros.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>JUEVES 25 DE OCTUBRE: 9.00 A 10.30<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\" id=\"panel4\"><strong>PANEL 4: Novela policial, lengua, tradici\u00f3n y espacialidad \/ <\/strong><strong><em>PANEL 4: Police novel, language, tradition and spatiality<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Benjamin Black\u2019s <\/em><\/strong><strong>Christine Falls<\/strong><strong><em>: An Iconographic Map&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Gugliara, Griselda<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: spatiality, literary geography, urban space, geocriticism, Catholic Church.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Spatiality has risen to become a key concept in literary and cultural studies, with critical focus on the \u201cspatial turn\u201d presenting a new approach to the traditional literary analyses of time and history. Robert T. Tally Jr. explores differing aspects of the spatial in literary studies today providing, among others, an analysis of critical perspectives on spatiality, such as the writer as a mapmaker, literature of the city and urban space, and the concepts of literary geography, cartographics and geocriticism. Based on Tally\u2019s notion of spatiality, this paper intends to show the mastery Benjamin Black (John Banville) displays in his novel, <\/em>Christine Falls <em>(2006), at creating a character like Quirke, a forensic pathologist, to denounce the secret alliance between the Catholic Church, the government and the Irish justice during the 1950\u2019s. Through a careful mapping of urban areas in which the storyline develops, the narrator orients the readers into understanding those institutions as held responsible for most of the crimes that Quirke investigates.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>El secreto de Christine <\/em><\/strong><strong>de Benjamin Black: Un mapa iconogr\u00e1fico&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Gugliara, Griselda<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: espacialidad, geograf\u00eda literaria, espacio urbano, geocr\u00edtica, Iglesia Cat\u00f3lica.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La espacialidad se ha convertido en un concepto clave de los estudios literarios y culturales, y el \u00abgiro espacial\u00bb ha supuesto un nuevo enfoque de los an\u00e1lisis literarios tradicionales del tiempo y la historia. Robert T. Tally Jr. explora distintos aspectos de lo espacial en los estudios literarios actuales aportando, entre otros, un an\u00e1lisis de perspectivas cr\u00edticas sobre la espacialidad, como el escritor como cart\u00f3grafo, la literatura de la ciudad y el espacio urbano, y los conceptos de geograf\u00eda literaria, cartograf\u00eda y geocr\u00edtica. Partiendo de la noci\u00f3n de espacialidad de Tally, este art\u00edculo pretende mostrar la maestr\u00eda que Benjamin Black (John Banville) despliega en su novela <em>El secreto de Christine<\/em> (2006) al crear un personaje como Quirke, pat\u00f3logo forense, para denunciar la alianza secreta entre la Iglesia cat\u00f3lica, el gobierno y la justicia irlandesa durante los a\u00f1os cincuenta. A trav\u00e9s de una cuidada cartograf\u00eda de las zonas urbanas en las que se desarrolla la trama, el narrador orienta a los lectores hacia la comprensi\u00f3n de esas instituciones como responsables de la mayor\u00eda de los cr\u00edmenes que Quirke investiga.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rodolfo Walsh: la lengua como herencia y elecci\u00f3n&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pierini, Margarita<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Walsh, herencias, memoria.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alg\u00fan escritor ha sostenido que la verdadera patria de un hombre es su lengua.&nbsp; Aqu\u00ed vienen a la memoria los nombres de quienes atravesaron fronteras no solo geogr\u00e1ficas sino idiom\u00e1ticas y, por ende, culturales, como Joseph Conrad, o nuestro Guillermo H. Hudson, entre otros, para crear su obra, donde se cruzan y amalgaman sus herencias con sus lugares de elecci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En esta serie hay un lugar especial para Rodolfo Walsh (1927-1977), descendiente de irlandeses por l\u00ednea paterna y materna (su madre, Dora Gill), nacido en R\u00edo Negro, donde su padre Miguel es el encargado de una estancia. Y que sin embargo, despierta la sorpresa, y aun la incredulidad, de Miss Annie, la maestra del internado al que ingresa a los ocho a\u00f1os, en Capilla del Se\u00f1or, por su desconocimiento absoluto del idioma ingl\u00e9s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Desde entonces, ante el desaf\u00edo que le propone el colegio, se incorpora&nbsp; con tenacidad y rapidez al mundo de esta nueva lengua. A lo largo de su obra literaria se manifiestan los aportes que proceden de esta cultura y esta tradici\u00f3n: traducciones, antolog\u00edas, narraciones. Y en el plano m\u00e1s personal,&nbsp; los pasajes de su diario que prefiere confiar al ingl\u00e9s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En este trabajo nos interesa seguir el proceso por el cual este escritor de ra\u00edces irlandesas hace confluir en su obra esa herencia y esa tradici\u00f3n, para representar una historia de la cual ser\u00e1 protagonista y testigo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Rodolfo Walsh: language as inheritance and choice<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Pierini, Margarita<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Walsh, inheritance, memory.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>A writer has once argued that the true homeland of a man is his language.&nbsp; Here come to mind the names of those who crossed not only geographical but also idiomatic and, therefore, cultural borders, such as Joseph Conrad, or our own Guillermo H. Hudson, among others, to create their work, where their inheritance and their places of choice intersect and amalgamate.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In this series there is a special place for Rodolfo Walsh (1927-1977), descendant of Irish by paternal and maternal line (his mother, Dora Gill), born in R\u00edo Negro, where his father Miguel is in charge of a ranch. And yet, he arouses the surprise, and even disbelief, of Miss Annie, the teacher at the boarding school he enters at the age of eight, in Capilla del Se\u00f1or, because of his complete lack of knowledge of the English language.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Since then, faced with the challenge proposed by the school, he has been quickly and tenaciously incorporating himself into the world of this new language. Throughout his literary work, the contributions coming from this culture and this tradition are manifested: translations, anthologies, narrations. And on a more personal level, the passages of his diary that he prefers to entrust to English.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In this work we are interested in following the process by which this writer of Irish roots brings together in his work this heritage and this tradition, to represent a story of which he will be the protagonist and witness.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El <\/strong><strong><em>best-seller<\/em><\/strong><strong> en tiempos de COVID&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Elgue, Cristina<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: <em>best-seller<\/em>, policial, Dubl\u00edn, pandemia, justicia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Siguiendo con mi tem\u00e1tica del best-seller y el policial irland\u00e9s, en esta ocasi\u00f3n propongo analizar la novela <em>54 Days<\/em> de Catherine Ryan Howard (2022), cuya trama tiene lugar durante la pandemia de coronavirus. A diferencia de los grandes <em>best sellers<\/em> y policiales&nbsp; actuales (desde el advenimiento del policial negro) que&nbsp; denuncian un estado de sociedad en un momento dado de su historia, esta novela, si bien tiene como marco la hist\u00f3rica epidemia -cuyo&nbsp; impacto social utiliza con gran efecto narrativo- puede ser m\u00e1s bien caracterizada como una novela de gran suspenso con \u00e9nfasis en los estados mentales de los personajes, uno de cuyos rasgos m\u00e1s importante es la original t\u00e9cnica narrativa y la atm\u00f3sfera paranoica que&nbsp; logra crear.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The best-seller in times of COVID<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Elgue, Cristina<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: best-seller, police, Dublin, pandemic, justice.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstracts:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Continuing with my theme of the best-seller and the Irish crime novel, on this occasion I propose to analyze the novel <\/em>54 Days <em>by Catherine Ryan Howard (2022), whose plot takes place during the coronavirus pandemic. Unlike the great current best sellers and detective novels (since the advent of the noir fiction) that denounce a state of society at a given moment in its history, this novel, although it has the historical epidemic as a frame -whose social impact it uses to great narrative effect- can be characterized as a novel of great suspense with emphasis on the mental states of the characters, one of whose most important features is the original narrative technique and the paranoid atmosphere that it manages to create.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>VIERNES 25 DE OCTUBRE: 14.30 A 15.15<\/strong><\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\" id=\"panel5\"><strong>PANEL 5: Prensa, cartas y experiencias de los irlandeses en la Argentina \/ <\/strong><strong><em>PANEL 5: Press, letters and experiences of the Irish in Argentina<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tras las huellas de los prisioneros irlandeses radicados en el Plata y su contribuci\u00f3n a la formaci\u00f3n de la Argentina&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Giuffr\u00e9, Merecedes<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: prisioneros, desertores, 1806, invasiones, Argentina.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 1806, tras la derrota de la expedici\u00f3n a Buenos Aires al mando de William Carr Beresford, conocida como la \u00abPrimera invasi\u00f3n inglesa\u00bb, los efectivos del ej\u00e9rcito brit\u00e1nico (entre quienes se contaban numerosos irlandeses) fueron enviados a la campa\u00f1a bonaerense en calidad de prisioneros. Posteriormente, se los intern\u00f3 en las provincias del interior (C\u00f3rdoba, Mendoza, Tucum\u00e1n, San Juan, Catamarca, Santiago del Estero y San Luis), a fin de mantenerlos lejos de la capital. Luego de un penoso traslado, dichos prisioneros llegaron a sus destinos y permanecieron en ellos durante meses, relacion\u00e1ndose con las poblaciones locales.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tras la derrota de la segunda expedici\u00f3n de 1807, al mando del teniente general John Whitelocke, y la capitulaci\u00f3n brit\u00e1nica, Buenos Aires envi\u00f3 al territorio del virreinato la orden de devolver a los internados, que se reunieron en la capital para embarcar de regreso al Reino Unido. Un n\u00famero significativo de hombres, sin embargo, tanto ex prisioneros como desertores y derrotados de la segunda expedici\u00f3n, eligi\u00f3 permanecer en el R\u00edo de la Plata.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Su vida se lig\u00f3 de manera profunda a la tierra de adopci\u00f3n y a los sucesos hist\u00f3ricos posteriores (la guerra de Independencia, la guerra contra el Brasil y las guerras civiles), quedando sus huellas en los archivos eclesiales, en objetos materiales, en los descendientes y sobre todo, en la memoria de las localidades de acogida. Su intervenci\u00f3n en la historia colabor\u00f3 a moldear los primeros a\u00f1os del pa\u00eds naciente. Algunos de ellos, incluso, quedaron reflejados en obras literarias y art\u00edsticas posteriores.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El presente trabajo (que es el avance de una investigaci\u00f3n mayor) se propone dar nombre a algunos de ellos, recuperar brevemente sus historias y reflexionar sobre el aporte que implicaron para el pa\u00eds naciente. \u00bfCu\u00e1ntos han sido identificados y cu\u00e1ntos esperan todav\u00eda salir del anonimato? Pero sobre todo, \u00bfpor qu\u00e9 vale la pena conocerlos hoy?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>In the Footsteps of Irish Prisoners Living in the R\u00edo de la Plata and their Contribution to the Formation of Argentina<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Giuffr\u00e9, Mercedes<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: prisoners, deserters, 1806, invasions, Argentina.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Resumen:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In 1806, after the defeat of the expedition to Buenos Aires under the command of William Carr Beresford, known as the \u201cFirst British Invasion\u201d, the British army (among which there were many Irish) were sent to the Buenos Aires campaign as prisoners. They were later interned in the provinces of the interior (C\u00f3rdoba, Mendoza, Tucum\u00e1n, San Juan, Catamarca, Santiago del Estero, and San Luis) to keep them away from the capital. After a difficult transfer, these prisoners arrived at their destinations and remained there for months, interacting with local populations.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>After the defeat of the second expedition of 1807, under the command of Lieutenant General John Whitelocke, and the British capitulation, Buenos Aires sent orders to return the interned prisoners to the viceroyalty, where they gathered in the capital to embark back to the United Kingdom. However, a significant number of men\u2014both former prisoners and deserters from the second expedition\u2014chose to remain in the R\u00edo de la Plata.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Their lives became deeply intertwined with their adopted land and the subsequent historical events (the War of Independence, the War against Brazil, and the civil wars), leaving their marks in ecclesiastical archives, material objects, descendants, and above all, in the memory of the host communities. Their involvement in history helped shape the early years of the nascent country. Some of them even found reflection in later literary and artistic works.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This work (which is a preliminary step in a larger research project) aims to name some of these individuals, briefly recover their stories, and reflect on the contributions they made to the emerging nation. How many have been identified and how many are still waiting to emerge from anonymity? But above all, why is it worth knowing them today?<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La carta del Padre Martin Byrne: tensiones internas y acusaciones a la comunidad irlandesa en torno de la partida de las Sisters of Mercy de Buenos Aires&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keegan, Viviana<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Padre Pasionista Martin Byrne, diario <em>The Standard<\/em>, Sisters of Mercy Argentina, <em>The Southern Cross <\/em>Argentina.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Las Hermanas de la Misericordia Irlandesas (Sisters of Mercy) se establecieron en Buenos Aires en 1856 convocadas por el Padre Anthony Fahy y a pedido de la creciente comunidad irlandesa de Argentina. La muerte del Padre Fahy (1871), el cierre del Hospital Irland\u00e9s (1874), el incendio del Colegio del Salvador (1875) y el ambiente anticlerical del pa\u00eds llevaron a las Hermanas a abandonar Buenos Aires en febrero de 1880 y a trasladarse a Adelaide, Australia, donde iniciaron una nueva fundaci\u00f3n de Mercy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En abril de 1880, a solo dos meses del sorpresivo cierre del convento de Mercy, logrado a trav\u00e9s de un permiso de la propia Santa Sede, el padre pasionista Martin Byrne publica en el diario <em>The Standard<\/em> de Buenos Aires una encendida carta en la que acusa a la comunidad irlandesa de ingratitud e indiferencia frente al sacrificio y dedicaci\u00f3n de las Hermanas, lo que habr\u00eda llevado a su partida.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esta carta es un documento iluminador de las tensiones internas de la comunidad irlando-argentina en una d\u00e9cada de b\u00fasqueda de identidades y cambios sociales. El relato de Byrne evidencia posturas internas distintas acerca de la educaci\u00f3n y de la religiosidad. Byrne defiende p\u00fablicamente la labor de las Mercies en la educaci\u00f3n de las j\u00f3venes irlandesas de Buenos Aires y en la atenci\u00f3n de los enfermos del Hospital y da cuenta de opiniones adversas de un sector de la comunidad hacia las religiosas. Tambi\u00e9n advierte sobre el manejo de los dineros invertidos por las monjas en Buenos Aires, los que, de acuerdo con el sacerdote, nunca les fueron devueltos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por \u00faltimo, cabe preguntarse por qu\u00e9 un tema tan espinoso y delicado para la comunidad fue hecho p\u00fablico en el diario <em>The Standard <\/em>y no en el diario comunitario abiertamente cat\u00f3lico e irland\u00e9s <em>The Southern Cross<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Father Martin Byrne&#8217;s Letter: Internal Tensions and Accusations against the Irish Community over the Departure of the Sisters of Mercy from Buenos Aires&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keegan, Viviana<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Passionist Father Martin Byrne, <\/em>The Standard<em> newspaper, Sisters of Mercy Argentina, <\/em>The Southern Cross <em>Argentina.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Irish Sisters of Mercy were established in Buenos Aires in 1856, summoned by Father Anthony Fahy and at the request of the growing Irish community in Argentina. The death of Father Fahy (1871), the closing of Hospital Irland\u00e9s [Irish Hospital] (1874), the burning of Colegio del Salvador (1875) and the anticlerical atmosphere in the country led the Sisters to leave Buenos Aires in February 1880 and move to Adelaide, Australia, where they began a new foundation of Mercy.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In April 1880, only two months after the sudden closure of the Mercy convent, achieved by means of a permit from the Holy See, Passionist Father Martin Byrne published a fiery letter in the Buenos Aires newspaper The Standard, accusing the Irish community of ingratitude and indifference towards the sacrifice and dedication of the Sisters, which he claimed led to their departure.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This letter is an illuminating document of the internal tensions within the Irish-Argentine community in a decade of identity searching and social change. Byrne&#8217;s account reveals differing internal positions on education and religiosity. Byrne publicly defends the work of the Mercies in educating young Irish women in Buenos Aires and caring for the sick at the Hospital, while also acknowledging the adverse opinions of a sector of the community towards the religious women. He also warns about the handling of the funds invested by the nuns in Buenos Aires, which, according to the priest, were never returned to them.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Finally, one might question why such a thorny and delicate issue for the community was made public in <\/em>The Standard <em>and not in the openly Catholic and Irish community newspaper <\/em>The Southern Cross<em>.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rebeldes y pol\u00edticos. El Sinn F\u00e9in en las p\u00e1ginas del peri\u00f3dico cat\u00f3lico <\/strong><strong><em>La Acci\u00f3n de Entre R\u00edos<\/em><\/strong><strong> (1919-1921)&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rodr\u00edguez, Jerem\u00edas Daniel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: Irlanda, Sinn F\u00e9in, Entre R\u00edos, prensa, recepci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En enero de 1919 miembros del Sinn F\u00e9in, uno de los principales partidos pol\u00edticos irlandeses del momento, establecieron por su cuenta una Asamblea Constituyente \u2014el primer D\u00e1il \u00c9irann o Parlamento Irland\u00e9s\u2014 repudiando el Acta de Uni\u00f3n y reivindicando la Rep\u00fablica de 1916 proclamada por los revolucionarios del Alzamiento de Pascua. Este hecho desencaden\u00f3 una serie de violentos acontecimientos que dieron lugar a la denominada \u00abguerra de independencia irlandesa\u00bb o \u00abguerra anglo-irlandesa\u00bb hasta mediados de 1921. En este agitado contexto, lo sucedido en la isla repercute en la prensa escrita argentina \u2014tanto nacional como provincial\u2014, \u00f3rgano privilegiado de comunicaci\u00f3n que procuraba informar sobre los hechos a partir de los cables telegr\u00e1ficos que arribaban diariamente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El presente trabajo se propone analizar las concepciones en torno al Sinn F\u00e9in y su accionar entre 1919 y 1921 en el peri\u00f3dico cat\u00f3lico La Acci\u00f3n de la provincia de Entre R\u00edos, Argentina, con el prop\u00f3sito de reconstruir la mirada que el matutino sosten\u00eda con respecto a esta fuerza pol\u00edtica ascendente.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Numerosos interrogantes se desprenden de la indagaci\u00f3n del diario \u00bfQu\u00e9 representa el Sinn F\u00e9in para el peri\u00f3dico entrerriano? \u00bfSe trata de un partido pol\u00edtico moderno o un grupo de rebeldes armados? \u00bfAcaso una combinaci\u00f3n de ambos? \u00bfQu\u00e9 postura adopta el peri\u00f3dico frente a su accionar? A lo largo del escrito intentaremos dar respuesta a estas preguntas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Rebels and Politicians. Sinn F\u00e9in in the Pages of the Catholic Newspaper<\/em><\/strong><strong> La Acci\u00f3n de Entre R\u00edos <\/strong><strong><em>(1919-1921)<\/em><\/strong><strong>&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rodr\u00edguez, Jerem\u00edas Daniel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: Ireland, Sinn F\u00e9in, Entre R\u00edos, press, reception.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>In January 1919, members of Sinn F\u00e9in, one of the leading Irish political parties of the time, independently established a Constituent Assembly \u2014the first D\u00e1il \u00c9irann or Irish Parliament\u2014 repudiating the Act of Union and asserting the Republic of 1916 proclaimed by the revolutionaries of the Easter Rising.&nbsp; This triggered a series of violent events that led to the so-called \u201cIrish War of Independence\u201d or \u201cAnglo-Irish War\u201d until mid-1921. In this agitated context, what happened on the island had repercussions in the Argentine written press \u2014both national and provincial\u2014 serving as a privileged means of communication that sought to inform about events based on the telegraphic cables arriving daily.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The purpose of this paper is to analyze the conceptions about Sinn F\u00e9in and its actions between 1919 and 1921 in the Catholic newspaper La Acci\u00f3n of the province of Entre R\u00edos, Argentina, in order to reconstruct the view that the newspaper had of this rising political force.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Several questions arise from the investigation of the newspaper. What does Sinn F\u00e9in represent for the Entre R\u00edos newspaper? Is it a modern political party or a group of armed rebels? Is it a combination of both? What stance does the newspaper adopt towards its actions? Throughout this paper, we will attempt to answer these questions.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>El Monitor de la Campa\u00f1a<\/em><\/strong><strong>, un diario rural del S. XIX con fuerte presencia irlandesa&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guarnochea, Miguel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave: <em>Monitor de la Campa\u00f1a<\/em>, Capilla del Se\u00f1or, migraci\u00f3n, irlandeses, m\u00fasica irlandesa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>El Monitor de la Campa\u00f1a<\/em> fue inaugurado en 1871, siendo el primer peri\u00f3dico de la provincia de Buenos Aires, dirigido por Manuel Cruz quien contaba con la colaboraci\u00f3n de Carlos Lem\u00e9e. El peri\u00f3dico se defin\u00eda c\u00f3mo \u00abun \u00f3rgano defensor de los intereses rurales\u00bb ya que su prop\u00f3sito era divulgar informaci\u00f3n por la llanura bonaerense. Contaba de 4 p\u00e1ginas y su edici\u00f3n era semanal. El mismo dej\u00f3 de circular en el a\u00f1o 1873, y en total se retiraron 133 n\u00fameros que hoy se encuentran en el archivo bonaerense.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La presente ponencia presenta algunas reflexiones de la investigaci\u00f3n que tiene c\u00f3mo objetivo central analizar y comprender la presencia de la di\u00e1spora irlandesa en el peri\u00f3dico desde sus aspectos productivos, sociales y culturales. Para tal fin, metodol\u00f3gicamente, se realiz\u00f3 una observaci\u00f3n y selecci\u00f3n del material digitalizado, para luego categorizar y analizar. En cuanto a las primeras conclusiones notamos la fuerte influencia irlandesa en el peri\u00f3dico en las diferentes categor\u00edas que no solamente nos habla de la gran presencia en el territorio como consecuencia de la fuerte inmigraci\u00f3n que se da con mayor fuerza a partir de 1840, lo que hizo lo que hizo que se publicar\u00e1n un n\u00famero significativo de art\u00edculos en ingl\u00e9s. Lo que permite ver la fuerte integraci\u00f3n\/cohesi\u00f3n con la poblaci\u00f3n local. As\u00ed tambi\u00e9n se han encontrado diferentes elementos culturales e identitarios, que nos han permitido ver las vivencias de estos inmigrantes en este vasto territorio y su conexi\u00f3n con su amada patria.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El Monitor de la Campa\u00f1a<\/strong><strong><em>, a 19th Century Rural Newspaper with a Strong Irish Presence&nbsp;<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Guarnochea, Miguel<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords: <\/em>Monitor de la Campa\u00f1a, <em>Capilla del Se\u00f1or, migration, Irish, Irish music.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El Monitor de la Campa\u00f1a<em> was inaugurated in 1871, becoming the first newspaper in the province of Buenos Aires, directed by Manuel Cruz with the collaboration of Carlos Lem\u00e9e. The newspaper was defined as \u201ca defender of rural interests,\u201d since its purpose was to disseminate information throughout the Buenos Aires plains. It consisted of 4 pages and was published weekly. It ceased publication in 1873, and a total of 133 issues are now preserved in the Buenos Aires archive.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This presentation offers some reflections of the research aimed at analyzing and understanding the presence of the Irish diaspora in the newspaper from its productive, social, and cultural aspects. To this end, a methodological approach was taken involving the observation and selection of digitized material, followed by categorization and analysis.&nbsp;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Initial conclusions reveal a strong Irish influence in the newspaper across various categories, which not only reflects the significant presence in the territory due to the intense immigration that began around 1840 but also resulted in a considerable number of articles published in English. This indicates a strong integration and cohesion with the local population. Different cultural and identity elements have also been found, allowing us to glimpse the experiences of these immigrants in this vast territory and their connection to their beloved homeland.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><strong>VIERNES 25 DE OCTUBRE: 14.30 A 15.15<\/strong><\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\" id=\"panel6\"><strong>PANEL 6: Espacios, memoria y literatura \/ <\/strong><strong><em>PANEL 6: Spaces, memory and literature<\/em><\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>La vida narrada: el arraigo de los campos verdes a la extensa pampa&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fuanna, Andrea<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si la vida tiene que ver con una narraci\u00f3n como sostiene el fil\u00f3sofo franc\u00e9s Paul Ricoeur en su texto <em>La vida: Un relato en busca de un narrador<\/em>, es muy singular el modo como a\u00fan siguen narrando sus vidas los hombres y mujeres que constituyen la di\u00e1spora irlandesa en nuestro pa\u00eds, la reciente&nbsp; entronizaci\u00f3n de la&nbsp; virgen Nuestra Se\u00f1ora de Knock en La Iglesia Catedral de Venado Tuerto en este 2024 o el irland\u00e9s Charlie O&#8217;Brien que recorre el pa\u00eds buscando canciones originales y recuperadas de los inmigrantes del siglo XIX en Argentina, las festividades comunitarias, las conmemoraciones entre muchas otras cosas as\u00ed lo atestiguan. Numerosos acontecimientos se siguen sucediendo en los distintos lugares en que se ha asentado la comunidad irlandesa desde hace ya mucho tiempo y es la conjunci\u00f3n entre la vida vivida y la vida narrada, lo que permite ir construyendo la trama que transforma los simples hechos, en historia.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por medio de la conservaci\u00f3n de las costumbres, la veneraci\u00f3n de los sitios sagrados y preservando los cuentos y leyendas con sus h\u00e9roes m\u00edticos, los irlandeses evocaron y evocan su pasado para reescribir su presente, dando sentido a su existencia como naci\u00f3n. En esa relaci\u00f3n de los migrantes con nuestro pa\u00eds, \u00abv\u00ednculos hist\u00f3ricos personales m\u00e1s fuertes y duraderos entre Irlanda y la Argentina: un v\u00ednculo que se extiende desde mediados de la d\u00e9cada de 1880 hasta el fin de la Guerra de Independencia Irlandesa\u00bb (Keogh, 2016: p.69) es que se narra otra nueva historia, esa que se constituye con el arraigo a estas otras tierras de acogida. Por medio de este escrito se buscar\u00e1 reflexionar acerca de las distintas y variadas narrativas que fueron surgiendo por la presencia de la di\u00e1spora irlandesa en nuestras tierras.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Narrated Life: the Roots of the Green Fields in the Vast Pampas<\/em><\/strong><strong> (Fuanna, Andrea)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>If life is related to narration, as French philosopher Paul Ricoeur argues in his text Life: A Story in Search of a Narrator, it is particularly unique how the men and women of the Irish diaspora in our country continue to tell their lives. The recent enthronement of Our Lady of Knock in the Cathedral Church of Venado Tuerto in 2024, or Irishman Charlie O&#8217;Brien traveling the country in search of original songs recovered from 19th-century immigrants in Argentina, along with community festivities and commemorations, attest to this. Numerous events continue to take place in the various locations where the Irish community has settled for a long time, and it is the conjunction of lived life and narrated life that allows for the construction of a narrative transforming simple events into history.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Through the preservation of customs, the veneration of sacred sites and the safeguarding of tales and legends with their mythical heroes, the Irish have evoked \u2014and continue to evoke\u2014 their past to rewrite their present, giving meaning to their existence as a nation. In this relationship between migrants and our country, \u00abstronger and more enduring personal historical ties between Ireland and Argentina: a bond extending from the mid-1880s to the end of the Irish War of Independence\u00bb (Keogh, 2016: p.69), a new story is narrated\u2014one formed by rooting themselves in these other host lands. This paper seeks to reflect on the various narratives that have emerged from the presence of the Irish diaspora in our lands.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Navigating Spaces, Creating Places: A Spatial Analysis of Sally Rooney&#8217;s <\/em><\/strong><strong>Beautiful World, Where Are You<\/strong><strong><em> <\/em><\/strong><strong>(Ledwith, Lorrain\/Rigane, Ma. Eugenia)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Irish literature has long been shaped by themes of colonization, oppression, famine, abuse and the profound influence of religion. However, in recent years, there has been a significant shift in the literary landscape. Contemporary Irish writers are moving beyond the historical narratives into a more inclusive portrayal of Irish identity that acknowledges its past while embracing its evolving present. Sally Rooney&#8217;s <\/em>Beautiful World, Where Are You<em> (2021) intricately weaves the emotional and intellectual lives of its characters into a narrative that explores the intersections of personal and social space. The novel&#8217;s structure, alternating between narrative and email exchanges, can be read as a form of cognitive mapping of the figurative landscape creating a spatial narrative that mirrors the characters&#8217; internal and external journeys (Tally, 2013, 2014, 2020). By focusing on the transformation of abstract space into meaningful place through lived experience (Tuan, 1977), we examine the characters&#8217; evolving relationships with their environments and the way in which they imbue their surroundings with meaning, transforming abstract spaces into places of personal significance. The settings, ranging from rural Ireland to bustling cities, serve as more than mere backdrops; they become dynamic spaces where the characters negotiate their identities, relationships, and existential questions (Cresswell, 2014). This proposal reveals how the characters in their search for identity navigate spaces marked by dislocation, globalization, and technological mediation, reflecting the tension between connection and isolation in a world fraught with political, environmental, and existential challenges.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Navegar por espacios, crear lugares: Un an\u00e1lisis espacial de <\/strong><strong><em>Beautiful World, Where Are You<\/em><\/strong><strong>, de Sally Rooney (Ledwith, Lorrain\/Rigane, Ma. Eugenia)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La literatura irlandesa ha estado marcada durante mucho tiempo por temas como la colonizaci\u00f3n, la opresi\u00f3n, la hambruna, los abusos y la profunda influencia de la religi\u00f3n. Sin embargo, en los \u00faltimos a\u00f1os se ha producido un cambio significativo en el panorama literario. Los escritores irlandeses contempor\u00e1neos est\u00e1n yendo m\u00e1s all\u00e1 de los relatos hist\u00f3ricos para ofrecer un retrato m\u00e1s integrador de la identidad irlandesa, que reconoce su pasado al tiempo que abraza su presente en evoluci\u00f3n. <em>Beautiful World, Where Are You<\/em> (2021) , de Sally Rooney, teje intrincadamente las vidas emocionales e intelectuales de sus personajes en una narraci\u00f3n que explora las intersecciones del espacio personal y social. La estructura de la novela, que alterna entre la narraci\u00f3n y los intercambios de correos electr\u00f3nicos, puede leerse como una forma de cartograf\u00eda cognitiva del paisaje figurativo que crea una narrativa espacial que refleja los viajes internos y externos de los personajes (Tally, 2013, 2014, 2020). Al centrarnos en la transformaci\u00f3n del espacio abstracto en lugar significativo a trav\u00e9s de la experiencia vivida (Tuan, 1977), examinamos la evoluci\u00f3n de las relaciones de los personajes con sus entornos y la forma en que imbuyen de significado su entorno, transformando espacios abstractos en lugares de significado personal. Los escenarios, que van desde la Irlanda rural a las bulliciosas ciudades, sirven como algo m\u00e1s que simples telones de fondo; se convierten en espacios din\u00e1micos donde los personajes negocian sus identidades, relaciones y preguntas existenciales (Cresswell, 2014). Esta propuesta revela c\u00f3mo los personajes, en su b\u00fasqueda de identidad, navegan por espacios marcados por la dislocaci\u00f3n, la globalizaci\u00f3n y la mediaci\u00f3n tecnol\u00f3gica, lo que refleja la tensi\u00f3n entre la conexi\u00f3n y el aislamiento en un mundo plagado de desaf\u00edos pol\u00edticos, medioambientales y existenciales.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El irland\u00e9s errante: An\u00e1lisis del personaje Frank O\u2019Leary en <\/strong><strong><em>Flores de un solo d\u00eda<\/em><\/strong><strong>, de Ana Kazumi Stalh (Garc\u00eda Dom\u00ednguez, Liliana)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Palabras clave:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resumen:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este trabajo se propone describir la compleja relaci\u00f3n entre \u00abcentro\u00bb y \u00abperiferia\u00bb en la novela <em>Flores de un solo d\u00eda<\/em> (2007) de Ana Kazumi Stalh, a partir de un personaje singular: el irland\u00e9s Frank O\u2019Leary. La historia de Aim\u00e9e Levrier de Marconi, bruscamente trasplantada desde Nueva Orleans a Buenos Aires cuando ni\u00f1a, ir\u00e1 revelando cu\u00e1l ha sido el papel de Frank (a) \u00abEl Irland\u00e9s\u00bb (a) \u00abEl Argentino\u00bb en su vida.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El dualismo centro-periferia da cuenta de una posici\u00f3n geopol\u00edtica relacionada con el progreso econ\u00f3mico y cultural (centro) en oposici\u00f3n a la barbarie (periferia) que debe ser \u00abdomesticada\u00bb. Aplicado a la obra literaria nos remite, por un lado, al exotismo representado por ese mundo extra\u00f1o \u2013a veces concebido como ut\u00f3pico- y que debe ser comprendido; y por otro, a la posibilidad de reversibilidad en un intercambio de los lugares que el canon asigna. Asimismo, permite mostrar m\u00e1s acabadamente la diferencia entre \u00abestereotipo\u00bb y \u00abpersonaje\u00bb, y como la \u00abp\u00e9rdida del nombre\u00bb marca la mirada del otro pero no la propia identidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La historia de vida de la autora tambi\u00e9n da cuenta de esta relaci\u00f3n dual centro-periferia: es estadounidense, doctora en Literatura Comparada, eligi\u00f3 vivir en Buenos Aires en 1995 y escribe literatura solo en espa\u00f1ol. Se abordar\u00e1 brevemente tambi\u00e9n esta relaci\u00f3n dual en su producci\u00f3n como escritora.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>The Wandering Irishman: Analysis of the Character Frank O&#8217;Leary in Anne Kazumi Stalh&#8217;s <\/em><\/strong><strong>Flores de un solo d\u00eda<\/strong><strong><em> [One-Day Flowers]<\/em><\/strong><strong> (Garc\u00eda Dom\u00ednguez, Liliana)<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Keywords:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Abstract:<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>This paper aims to describe the complex relationship between \u201ccenter\u201d and \u201cperiphery\u201d in the novel <\/em>Flores de un solo d\u00eda<em> [One-Day Flowers] (2007) by Ana Kazumi Stalh, focusing on a singular character: the Irishman Frank O\u2019Leary.&nbsp; The story of Aim\u00e9e Levrier de Marconi, abruptly transplanted from New Orleans to Buenos Aires as a child, will reveal the role Frank (also known as \u00abThe Irishman\u00bb or \u00abThe Argentine\u00bb) played in her life.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The center-periphery dualism shows a geopolitical position related to economic and cultural progress (center) in opposition to barbarism (periphery), which must be \u201cdomesticated\u201d. When applied to literary works, this dualism refers to the exoticism represented by that strange world \u2014sometimes conceived as utopian\u2014 that needs to be understood; and also to the possibility of reversibility in the exchange of roles assigned by the canon. It further allows for a clearer distinction between \u00abstereotype\u00bb and \u00abcharacter,\u00bb showing how the \u00abloss of name\u00bb marks the perception of the other while not defining one&#8217;s own identity.<\/em><em>The author&#8217;s life story also reflects this dual center-periphery relationship: she is American, holds a PhD in Comparative Literature, chose to live in Buenos Aires in 1995 and writes literature solely in Spanish. This dual relationship in her work as a writer will also be briefly addressed.<\/em><em><\/em><\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"<p>RES\u00daMENES \/ ABSTRACTS SESIONES DE PANELES \/ PANEL SESSIONS JUEVES 24 DE OCTUBRE VIERNES 25 DE OCTUBRE JUEVES 24 DE OCTUBRE: 14.00 A 15.45 PANEL 1: Literatura y cine irland\u00e9s: Educaci\u00f3n, memoria e instituciones \/ PANEL 1: Irish literature and film: education, memory and institutions Ecos de fosterage en la poes\u00eda de Seamus Heaney&nbsp; Cuello, [&hellip;]<\/p>\n","protected":false},"author":42,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[44],"tags":[],"class_list":["post-2200","post","type-post","status-publish","format-standard","hentry","category-datos-simposio"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/posts\/2200","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/comments?post=2200"}],"version-history":[{"count":15,"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/posts\/2200\/revisions"}],"predecessor-version":[{"id":2242,"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/posts\/2200\/revisions\/2242"}],"wp:attachment":[{"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/media?parent=2200"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/categories?post=2200"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.usal.edu.ar\/lenguas\/wp-json\/wp\/v2\/tags?post=2200"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}